Image from Constant’s New Babylon: the hyper-architecture of desire [google book] By Mark Wigley¹

Expanding upon a micro-thought from a panel discussion

“#IFP09 thankyou Thomas Malaby for showing me Constant’s New Babylon: a post-monetary configurable architectural mesh http://bit.ly/2Rv1Gr” – @aquarious

The tweet above implicates multiple layers of private property that mesh the various networked but self-fashioning aspects of a typical public realtime hypertext exchange these days. The layers of exchanged property include Twitter (messaging), Bit.ly (shortlink), Facebook (social web), Google Books (content publishing) and related software (browsers, apps, OS, etc.) to render social media towards public communications.

These private and corporate accumulations of virtual cultural capital derived from user contributed content add value well beyond their physical capital which comprises the workforce, server farms, bandwidth, energy and even brand identity, all subsumed as value commodities optimized for self-fashioning and auto-meshing. The notion of this hypertext broadcast evokes the antagonism between the private property of the communication transported by publishing tools and the public nature of the participants and their expressions. The binary boundaries of labor theory models have been blurred between distinctions of…

• public/private
• property/commons
• production/consumption
• exploit/contribute
• work/play
• oligarchy/democracy
• self/group
• asymmetrical/egalitarian
• physical/virtual

Indeed, new language is required to express the hybridity and mutation invoked by the social forces of emergent design technology.

History has presented us with examples of imaginary objects and structures that prefigured our contemporary conditions. In pondering Constant Niewunhuys’ New Babylon as the ultimate imaginary object of urban architectures, there is also Bush’s Memex as the ultimate imaginary object of knowledge consoles. These future-minded design studies arrive out of creative practice and military research disciplines, respectively. But they share a common perspective on the destiny of humankind as a networked and reciprocal society.

Indeed, the Memex already serves as a de facto historical artifact of a proto-hypertext pre-digital device to foreshadow the Internet. By synthesizing the virtual of knowledge networks towards a metaphorical or rhetorical architecture eventually built as the Internet, perhaps the digital memex, maybe the virtual New Babylon, a layer of self-fashioning protocols and exchanges emerged that sit between physical transit and everyday life. Vannevar Bush imagined his Memex microfilm knowledge console as the liberation from libraries, towards exchangeable and reconfigurable knowledge media. He extended self-enrichment through participatory scholarship with the promise of technology to overcome the limitations of physical media and the requisite bureaucracy to manage it. He imagined the basis for the internet before the digital computer and the network were fully conceived and implemented. Meanwhile, before the digital network engendered hyperconnectedness and hyperfragmentation as intrinsic structures and conditions of hypertext knowledge distribution systems, Constant Niewunhuys appears to have applied a parallel idea of hyperarchitecture to the basis of a futurist society built upon a “unitary urbanism.”

The post-monetary vision of Constant’s New Babylon envisages an architectural mesh of “infinitely reconfigurable spaces”² where a post-capitalist society of self-fashioning actors thrive beyond commodity exchange in the conventional sense. We wonder if the physical architecture of humans will eventually evolve into this rhizomatic, multi-layered, multi-dimensional, network of cellular or atomic structures that represent and disseminate information or embody and interconnect human habitats across the Earth in a uniformly neural network pattern. This pattern resembles the visual forms of the digital network, our understandings of neuroscience, biochemistry and atomic physics. Is it the eventual but wholly natural state of human society?³

The cellular design affords the infinite and reconfigurable mobility of capital and commodity exchange of all sorts across the boundaries of time and place. Humans may eventually construct a habitat that resembles a web of interconnected self-regulating, post-national, post-regional communities who thrive on unfettered commodity exchange, beyond scarcity, beyond the immaterial. Labor and value creation in this kind of a post-monetary urban planning concept depends on an individual’s accumulation of knowledge credentials, artifacts of cultural production and the distributed economics of emergent peer-to-peer micro-transactions — peer production.

“After rehearsing these few salient features of today’s art criticism, I must say on the contrary that for our situationist comrades, for Constant and myself, the three-dimensional explorations in question here can in no way be an object of enthusiasm, as they are but scattered elements on the path toward a future construction of ambiences, a unitary urbanism.” – Guy Debord⁴

Leave it to Guy Debord to take all the fun out of sci-fi fantasy.

Footnotes

1. via Google Books
2. Thomas Malaby at #IPF09, The New School
3. Think Powers of 10, by Charles and Ray Eames, which illustrates a repeating pattern of nature’s architecture from atom to cosmos.
4. Constant and the Path of Unitary Urbanism on Google Books

MEMEX TWO POINT OH

It only just dawned on me. These status-tweet-feed conflations I’ve been following and fueling — this is the MEMEX that I’ve been talking about on these pages. Maybe not MEMEX 1.0 — our trails comprise not only encyclopedic knowledge and book knowledge — they also encompass our communication and social context all wrapped up in knowledge. Social networking is contemporary knowledge machined into media trails.

Whatever “social networking” becomes, Twitter today, who knows tomorrow, we can still be sure that Vannevar Bush was one of the first to fantasize about the business of socially mediating knowledge through machines via exchangeable, reconfigurable machine-readable media (i.e. beyond books and paper).

The #IPF09 Internet as a Factory and Playground Conference at The New School, conferred by Trebor Scholz, discusses the notions of value creation in the networked wealth of a distributed and highly creative, productive, efficient human at work. Vannevar Bush has not been mentioned at the sessions I’ve attended, but a new discovery included Constant’s New Babylon project, perhaps the architectural parallel of the Memex.

Make me an app that would auto-sync the URLs of all my currently open tabs to a shortened URL that I could syndicate at will.

For example

http://tabs.to/mercurious would redirect to the 11 browser tabs that I have open right now, in your browser.

I suppose it could be built as a Firefox plugin and companion website that syndicates vanity URLs and offers a social API to disseminate into other services.

It would contribute towards the notion of MEMEX, by putting the live trail of my research in front of a “camera” — a social feed, in actuality.

It would serve the function and purpose of this MEMEX accessory, illustrated in the figure:

Ivan Sutherland’s Sketchpad MIT thesis was covered by Create Digital Motion after I posted the video clip from MIT’s New Media Reader featuring Dr. Alay Kay from Xerox PARC give a lecture on Sketchpad. The video clip has since garnered over 10,000 YouTube views and other “instances” of the film on video sharing sites — so appropriate given Sutherland’s contribution of the idea of a “master” and “instances.” His contributions to computer aided design history extend well into its origins and beyond its final outcome.

Peter Kirn says it best — what I think, he was able to say about this…

Additional Demonstration Footage Also Emerged

This Sketchpad film on YouTube: Part 1

The computer has been, in a sense, nothing but a very elaborate calculating machine. But, now we’re making the computer be more like, almost like a “human assistant” and the computer will seem to have some intelligence.

It doesn’t really. Only the intelligence that we put in it.

{Emphasis added.}

Professor Steven Coons
Associate Professor of Mechanical Engineering at MIT
Co-Director of The Computer Aided Design Project

On Teaching Mobile Application Design at Parsons

Dr. Dobb’s Journal, legendary software design publication, published our phone interview on its web portal yesterday on the subject of teaching mobile media design at Parsons Communication Design & Technology. John Dorsey, the editor of Dr. Dobb’s, offered probing questions that got at the nature of the program, the challenges of teaching Flash for application design, and how various tools and platforms can fit together in a technology curriculum at the service of the arts. This is all very interesting when you consider Dr. Dobb’s target audience, clearly hard-core coders and application developers. It’s a good sign when engineer-types are starting to take what’s going on in art and design schools more seriously. These distinctions are very much starting to blur.

» Interview

Mobile Touch Screen WordPress Theme In The Works

In response to the proliferating importance of portable touch-screen interfaces, we have started the design and development of a WordPress theme for iPhone and iPod Touch devices. The theme will make your WordPress site look and behave like a native application, taking advantage of the special requirements of a touch-screen, flick-and-slide scroll interface minimizing zoom-pinching, all using Joe Hewitt’s iUI JavaScript and CSS library.

The project is currently in a pre-alpha release state. We have released an early alpha, with a distant dream publish it to the official WordPress theme site. Anyone who is interested in helping to test and develop the concept should contact us by email. Let it be known that we are not the first to attempt a WordPress iUI theme, although we are working a more comprehensive implementation than what Justin Barkhuff has already achieved while on his year-long honeymoon!

» Try WordPress Touch pre-alpha on your iPhone or iPod Touch.

If the Touch theme does not appear right away, keep trying, by refreshing or revisiting this link. For some reason, the cookie that tells WordPress to use this theme isn’t registering correctly.

Release Notes

• You can simulate the experience by viewing the Touch theme without an iPhone or iPod Touch by using Safari 3.1 or the Webkit nightly build, the iPhoney simulator, or the official iPhone simulator as part of the SDK.
• Viewing this theme in other browsers will probably yield unpredictable and undesirable results.
• Your browser will remember your theme choice in a cookie. To reset back to the standard theme, choose Preferences > Theme > Desktop within the Touch theme main menu.
• As stated above, if you don’t succeed in triggering the WordPress Touch theme to appear, be persistent. This is an known issue to be resolved. It has something to do with the theme switcher plugin I’m using.

Design Goals

• Optimize WordPress consumption for the WebKit touchscreen user-interface model — in progress
• Focus on mobile use-cases, to allow a quick consume, easy lookups — in progress
• Employ best practices for iPhone and iPod Touch interface design conventions — in progress
• Allow options for auto-detection, user-selection and return to standard desktop views — in progess
• Introduce glossy icons for menus, with preference to disable — to do
• Introduce auto-resizing thumbnail management and disabling LightBox photo gallery features — to do

Originally published in the Atlantic Monthly→, “As We May Think→” (July, 1945), a member of the Manhattan Project proposes the [tag]Memex[/tag]↔, a sort of microfilm-based knowledge desk. Many consider the Memex to be the pre-digital precursor to the idea of the Web and Internet as we know it today. It may reflect the dawn of the information age.

I am constantly referring to the Memex in my [tag]lectures[/tag]↔ and research as a significant historical precedent to modern informatics, information design, hypertext and interactive media.

A diagram depicting “Computing’s Family Tree”◊ sources the Memex at the root of all modern operating systems. See also Dr. Ivan Sutherland’s [tag]Sketchpad[/tag]↔ for the world’s first interactive computer graphics system.

Links

• Original article, Atlantic Monthly→
• “As We May Think”, Wikipedia→
• ‘Memex,’ Wikipedia→
• ‘Informatics,’ Wikipedia→

See Also

Lecture: The Origins of Interactive Media ↑

The Origins of Interactive Media.

交互式多媒体的起源

A brief examination of two influential American scientists who pioneered the idea of interactive information systems and graphics. Dr. Vannevar Bush, The Memex↑ and Dr. Ivan Sutherland, Sketchpad↑. Their research accomplishments resonate through every aspect of modern computing. A lecture given on Thursday, June 21, 2007, 13:30, Room B413 at the Academy of Arts & Design, Tsinghua University.Sponsored by Information Art & Design in collaboration with Communication Design & Technology, Parsons The New School for Design.

Lecture downloads available below.

Lecture Images

Lecture Downloads

» Download Lecture PDF↓ (6.5 MB)

» Download Lecture PowerPoint with QuickTime video ZIP ↓ (135 MB)

» Download Lecture Poster PDF ↓ (780 KB)

» View Lecture SWF in a Popup Flash Player → (20 MB)

See Also

• Memex, The Dawn of Informatics↑
• Sketchpad, The World’s First↑